Egoism
Individualism
Sovereignty
Splendor

(These ideas are explicated in this sloppy manifesto)

Tuesday, November 18, 2003
 
SplendorQuest: Just because I'm a cover...

I'm busy in the real world, as you might have guessed. But, while working, I've been listening to albums of covers of other people's songs and thinking about the art of the cover. This relates back to Peter Pan at the CD rack, and it tends to make the point: Pop covers generally stink. To be awful, all a cover has to do is betray the attitude of the original. I defy anyone to come up with a cover of 'Piece of My Heart' that is worth listening to--and there have been dozens of them. On the other hand, to be good, at least, if not utterly great, the performer has to bring something new to the attitude. A new arrangement matters a lot--and there is no end to stone duplicates pretending to be covers--but a new attitude matters even more. Allison Krauss is off-the-charts excellent at covering other people's work because she understands this.

What I've been listening to, mostly, is the Dolly Parton hit 'Jolene' as covered by Mindy Smith on the new encomium album Just Because I'm a Woman--Songs of Dolly Parton. Listening to it over and over again, maybe 600 times by now. There are other covers on that album that are worth listening to--and plenty that are horrifyingly bad--but Smith's 'Jolene' is perfectly haunting. It was a truly great song to begin with, and Parton's up-tempo original still holds up, despite its stuck-in-the-seventies instrumentation. But Smith takes 'Jolene' to a completely different place, a heart-wrenching alternative take.

These are the lyrics, a pocket lesson in economy and simplicity:
Jolene

by Dolly Parton

Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man
Jolene, Jolene, Jolene, Jolene
Please don't take him just because you can

Your beauty is beyond compare
With flaming locks of auburn hair
With ivory skin and eyes of emerald green

Your smile is like a breath of spring
Your voice is soft like summer rain
And I cannot compete with you, Jolene

He talks about you in his sleep
There's nothing I can do to keep
From crying when he calls your name, Jolene

And I can easily understand
How you could easily take my man
But you don't know what he means to me, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man
Jolene, Jolene, Jolene, Jolene
Please don't take him just because you can

You could have your choice of men
But I could never love again
He's the only one for me, Jolene

I had to have this talk with you
My happiness depends on you
And whatever you decide to do, Jolene

Jolene, Jolene, Jolene, Jolene
I'm begging of you please don't take my man
Jolene, Jolene, Jolene, Jolene
Please don't take him even though you can
Jolene, Jolene...
There are spots where I want another fifteen minutes of thought. For example, those paired uses of 'easily' have always annoyed me. They would jar even if they didn't break the scansion both times (ellided into 'eezlee'), but having them together is ear-raking if not completely ear-aching. Even so, the song is terrific as country, and in Smith's version it turns out to be terrific as a folky alternative song.

You can see the video for the Mindy Smith version at the above link. Not an insanely great video, so you can just turn away and listen to the song--over and over again.





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